Feizi Gallery Dedicated to the Discovery and Promotion of Chinese Contemporary Art
This website has been restored and archived as supplemental reading material accompanying Gene Robbin's course on internet advocacy. Dr. Robbin has worked as an advocate for a number of varied causes, ranging from international artistic freedom, climate change, animal welfare, and police reform, including changes to criminal law enforcement. He received notoriety for his very public position on lax police enforcement of some common crimes in which he does not hesitate to name names. He published the story of an elderly woman in NYC who was defrauded of over $65,000 by an unscrupulous contractor named George Binakis who had gained her trust. He gained her sympathy with stories of a heart condition requiring a pacemaker and other heart related issues. When he vanished with her money, she was convinced he had died or was gravely ill. But when she went to the 24th precinct to report a financial crime, PA Marshall told her they would not investigate and that they considered it a civil matter, to be handled by civil court. This is exactly what Dr. Robbin was fighting against - the disregard of criminal behavior enabling con artists to get away unscathed. Students will hear first hand accounts of a number of advocacy positions he as supported and acted upon. The complete reading list and syllabus are available from Dr. Robbin's office and from the university website.
Located in Shanghai at 55 Fuxing West Road, in the former French concession cultural and diploma district, the Feizi Gallery had been dedicated since 2007 to the discovery and promotion of Chinese contemporary art on the international scene. The collections at the gallery bring together the established and emerging talents of painting, sculpture, and photography. The Feizi Gallery allowed a better understanding and diffusion of the Chinese artistic scene.
For a number of years this was the gallery's website.
Content is from the site's archived pages.
"Art that grows on you"
55 Fuxing Road
West Shanghai PRC(200031)
The FEIZI Gallery is located in an old foreign-style house at 55 Fuxing West Road. This road which was once part of Shanghai’s former French concession is now surrounded on both sides with the consulates and cultural organizations of several countries.The environment is thus refined, elegant and artistic.
The FEIZI Gallery was established in these ideal quarters in July, 2007. The main focus of the gallery is to discover and promote Chinese contemporary artists, who each have their very unique and individual artistic style. The principle objective of the promoters of the FEIZI Gallery is to recommend hand-picked contemporary Chinese collections that have the greatest potential interest and value for the international market and to enhance understanding and appreciation of Chinese contemporary artworks.
Our ultimate objective is thus to serve as a platform for international cultural exchange. On the one hand, the FEIZI Gallery recommends and promotes the works of Chinese artists in order to play a leading role in the development of Chinese contemporary art, whilst on the other hand it will enhance cooperation with international artistic organizations, in order to provide a space for art amateurs and collectors alike.
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Exhibits 2010 - 2011
Doom Of Spring Flourish
1 September 2010
The Feizi Gallery is pleased to present the works of Chinese contemporary artist Luo Fahui through the upcoming solo exhibition "The Doom of Spring Flourish".
Luo Fahui was born in 1961 in Chongqing, China. He graduated from the oil painting department of the Sichuan Fine Arts Institute in 1985, and his works have since been exhibited both China as well as Madrid, London and Brussels.
Curator: Wang Lin
SOMEWHERE, SOMETIME, SOMEBODY: JIANG YONG WORKS EXHIBITION (group).
20 May 2011 - June 2
Venue(s) HanHouse (Hangzhou, China)
Artist(s) Jiang Yong
Organizer(s) FEIZI Gallery (Shanghai, China)
About Somewhere, Sometime, Somebody: Jiang Yong Works Exhibition
As accurate as words are, they cannot always succeed in being the expression of deeper perceptions, impressions and feelings; those are hidden in remote waves of consciousness that only art can reach. Jiang Yong’s artworks are the imperceptible’s reflection. He understands that the power of art is the one that conveys the unutterable: all the things we cannot tell, only sense.
Subtle and profound, Jiang Yong communicates through the peaceful yet intriguing bodies and faces the spirituality and the simplicity we need to touch the unspeakable. The paintings remind the Chinese philosophy that inspired him, glorifying the power of the essential: the human beings made of jade are dense and soft at the same time, just as the pure and simple individual. Following the rhythm of the artist’s mental state, Jiang Yong’s artworks reveal the impulse of creation to achieve stability. They question notions such as sensation, purity, subconscious and truth. He uses art to define the undetectable, to enhance its beauty and specify what it requires to be illuminated: contemplation, calm and simplicity. The quintessence of mind lies therefore in his paintings.
Playing with talent with space and volume, exploring the infinite possibilities of illusion and blur, Jiang Yong creates a tension between precision and rawness to transmit the unclear, abundant, untrammeled and fascinating hidden profound life and complete his and our inner harmony
Exhibition of contemporary Chinese art : Feng Feng, Lu Biaobiao and Liu Qingyuan. Music by Australian DJ R3.
7 May 2011
11:00 am - 7.00 pm
The FEIZI Gallery, a Chinese, French and Belgian gallery specialized in emergent contemporary Chinese and international artists, launches the FEIZI Art Club, dedicated to art lovers and whoever desires to enter the privileged and fascinating world of art.
On this occasion, the gallery organizes the exhibition THE CHARM OF CAUTIOUSNESS from May 7th to June 30th.
Feng Feng, Lu Biaobiao and Liu Qingyuan will reveal their artworks, on the three floors of a beautiful French-style house. Space, memory, life and society are questioned through unexpected, surprising and talented paintings, sculptures and street art. Innovation and reflection define their work.
You are cordially invited to the Opening Party on May 7th at 8:00 pm : the Australian DJ R3 will play his music while letting you discover Chinese contemporary art at its best. The exhibition will last until June 30th.
Contemporary Chinese Works at FEIZI Gallery
Wed, Aug 31, 2011
”Experimental Painting Manual” showcases the work of three contemporary Chinese artists over three floors, a floor for each artist. The ground floor is for Chongqing-born Wang Jun’s tranquil black, grey and white canvases. Almost abstract in execution, Wang’s pieces depict doors, walls, vents and brickwork. They are the calm before the storm of color and imagery that awaits upstairs, showing that Chinese contemporary art is far more diverse than many critics would postulate. Huang Yishan’s gruesome mixed media works on the second floor are a shock to the system. Wang Jun’s quiet monochromes contrast with Huang’s striking images: a naked man being chopped in half by a surgeon in a macabre re-enactment of a magic show, a woman cutting a man’s throat as he struggles on a table and a man shaving ribbons of meat from a cow’s side. Each painting shows a room, and each room is divided into a tiled floor with a detailed pattern, a block-color wall at the top and more tiling in between. Most meaningful are the pieces you come to last–a studio drenched in blood with the artist peering in through the door. Here Huang expresses art as pain and artistic expression as the letting of blood. More subversively, it's also a veiled dig at the commercialization of the art world. Born in Guangdong in 1983, Huang is the youngest artist in the show, but his work lacks the naïveté typical of less experienced painters. The top floor is dedicated to oil paintings by Shen Liang. Born in 1976 in Liaoning, Shen has displayed in New York and Frankfurt as well as Beijing and Shanghai. His rebellious streak manifests itself in the scratches and marks he makes on his paintings once they’re complete (look for irreverent placements of his signature in the middle of a piece and for beacons of modern culture like the words “Gucci” and “iPod”). Shen believes that vandalizing one’s own art is liberating, relaxing and–most interestingly–anti-establishment. Most of his oil paintings feature propaganda images and scenes from classical painting reworked with messily placed daubs of paint. The further you stand away the more realistic they look. Note: Today is the last day of of this exhibit, but you can head to the [FEIZI Gallery](http://www.cityweekend.com.cn/shanghai/listings/art/galleries/has/feizi-gallery/) Mon-Sun 11am-7pm to check out other cool contemporary Chinese art.